Shakespeare in Rwanda: the white-saviour industrial complex

Shakespeare in Rwanda: the white-saviour industrial complex

Like so many other well-meaning white people, Professor Garrod’s motives in going to Rwanda are ostensibly good. Having lost the sense of meaning and purpose he once derived from his Ivy League professorship, he decides to go to Africa to ‘make a difference’. The film charts the months of rehearsals and, over time, his altruistic veneer slips. Just under the surface, a mindset that’s essentially that of the early colonialist – namely the missionary – begins to emerge.